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University of Cambridge

Open: Tuesday–Sunday, 11am–5pm

We are closed on Bank Holiday Mondays.

On Saturday 26 September, last entry to the House will be at 15.15.

Book Tickets

Open: Tuesday–Sunday, 11am–5pm

We are closed on Bank Holiday Mondays.

On Saturday 26 September, last entry to the House will be at 15.15.

Bouquet of Flowers (c.1909-10), Henri Rousseau. Tate, Bequeathed by C. Frank Stoop 1933. Photo: Tate
Exhibition

Handpicked: Painting Flowers from 1900 to Today

25 April – 6 September 2026

Inspired by the presence of freshly cut flower displays and paintings such as Cyclamen and Primula (c. 1923) by Winifred Nicholson in the Kettle’s Yard house, Handpicked: Painting Flowers presented works featuring flowers by artists spanning across the 20th and 21st centuries.

 On a spring day, with bluebells in the churchyard of St Peter’s next door, you’d be hard-pressed to find a more uplifting exhibition.

★★★★ – The times

 

★★★★ – The guardian

This event has passed. FREE, pay what you wish, booking recommended

When Jim and Helen Ede opened Kettle’s Yard in 1957, one of the key elements of their interior displays was fresh cut flowers. Their flower arrangements created visual correspondences with the forms and colours of artworks in the Edes’ remarkable collection. Handpicked: Painting Flowers featured artists for whom painting flowers was a lifelong preoccupation, as well as those for whom it represented a brief but intense period of making. 

Alongside works by significant figures of the 20th century, including Vanessa Bell, Henri Rousseau, Winifred Nicholson and Christopher Wood, contemporary artists such as Lubaina Himid, Jennifer Packer, Chris Ofili, Caroline Walker and Alison Watt, breathed new life into a much-loved subject. The exhibition featured one artwork from each artist.

This exhibition was organised with the help of The Kettle’s Yard Community Panel: Bryan Johnson, Abi Moore, Jade Pollard-Crowe, Alan Soer, and Jenny Wood.

Artists

Hurvin Anderson, Vanessa Bell, David Bomberg, Louise Bourgeois, Jai Chuhan, Andrew Cranston, Kaye Donachie, Gigi Ettedgui, Anna Freeman Bentley, Marjory Garnett, Tirzah Garwood, Gluck, Lubaina Himid, Howard Hodgkin, Isak of Igdlorpait, Nerys Johnson, David Jones, Poppy Jones, Joy Labinjo, Doron Langberg, Aubrey Levinthal, Charles Rennie Mackintosh, Rory McEwen, Cedric Morris, Cassi Namoda, Mary Newcomb, William Nicholson, Winifred Nicholson, Chris Ofili, Jennifer Packer, Celia Paul, Bryan Pearce, Emma Prempeh, Bianca Raffaella, Eric Ravilious, Anne Redpath, Henri Rousseau, William Scott, Judith Tucker, Euan Uglow, Charlotte Verity, Édouard Vuillard, Caroline Walker, Alison Watt, Christopher Wood, and Clare Woods.
Jennifer Packer, Chrysanthemums (2015), oil on canvas. 12x9 inches (30.4x22.8cm). © Jennifer Packer. Photograph © The Fitzwilliam Museum, University of Cambridge.

Stories

Find out more

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Introduction from North Cambridge Academy

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Exhibition Publication

This exhibition was kindly supported by:

Sally and Edward Benthall

 

 

Paint Sponsor

 

Handpicked: Painting Flowers Exhibition Circle

Rajan Bijlani

Peter and Wendy Blythe

Jenna Burlingham Gallery

John and Jennifer Crompton

Nicholas Crompton

Thomas Dane Gallery

Claire and Martin Daunton

Emma Davis

Stamos J Fafalios

Emily and Matthew Flowers

Sean Gorvy

Sarah and Gerard Griffin

Xavier Hufkens

Richard and Florence Ingleby

Lyndsey Ingram

The Jaccaud Family

Lulu Lytle

Leonie McLaren

Suling C Mead

Andrew Nairne and Nicola Dandridge

Maureen Paley

Carlos and Francesca Pinto

Griselda Pollock

Joanna Prior OBE

Jonathan and Nicole Scott

Tiwani Contemporary

Sir David Verey CBE and Lady Verey

and those who wish to remain anonymous

Friends of Kettle’s Yard Handpicked: Painting Flowers Supporters

Julia Bagguley

Clodagh Barker

Philomena Barnes

Annabel Charles

Margie Christian

Mike Efstathiou

Michael French

Penny Heath

Lucy King

Kathryn Knight

Nicki and Christie Marrian

Penny Mason

Sandy Nairne and Lisa Tickner

Jeremy Newsum

Frank O’Connor

Nicci Steele-Williams

Kim and Fiona Walker

and those who wish to remain anonymous