Stories
All of the latest news and updates from Kettle’s Yard.
Blue Chased Out Yellow
Sabine Jaccaud responds to the current exhibition Megan Rooney: Echoes & Hours.
Meet the MA Placement students at Kettle’s Yard
Over the summer we’ve welcomed Beth and Hazel on placements from Leicester University where they’re studying for an MA in Art Museum and Gallery Studies. In this blog post they tell us more about what they’ve been up to at Kettle’s Yard!
Abani Roy and the Edes
In this blog post, Senior Curator (House & Collection) Inga Fraser tells us about the Indian-born artist Abani Roy and his relationship with Jim and Helen Ede over the course of his career.
Celebrating the Clore Duffield Foundation Supported 'Look/Make/Talk Programme'
In this blog post we celebrate the Look / Make / Talk programme at Kettle’s Yard which was generously supported by the Clore Duffield Foundation in 2023/24.
2024-25 Chamber Music Series
In this blog post, Kettle’s Yard Music Associate Deborah Carnwath tells us more about the upcoming 2024-25 Chamber Music series.
St Edmund: An Icon of Constant Ecological Change
In this blog post, Assistant Curator Naomi Polonsky tells us more about the ecology of St Edmund in the Kettle’s Yard house.
5 Things About 'Megan Rooney: Echoes & Hours'
Find out more about the exhibition ‘Megan Rooney: Echoes & Hours’ in this blog post.
Year 10 Work Experience: A Week at Kettle's Yard
This week we welcomed two students, Orlaigh and Dina, for their Year 10 work experience. In this blog post they tell us more about their experience at Kettle’s Yard.
Story of Blue
Exhibition artist Megan Rooney speaks about the temporary mural in Gallery 2.
The Gardens of Ede
Find out more about our new archive display exploring gardens of Jim and Helen Ede.
Call For Papers - Hans Coper: new contexts, new approaches
Send us your proposals for our upcoming symposium by 28 July 2024
Henry Moore’s Head at Kettle’s Yard
In this blog post, Senior Curator (House & Collection) Inga Fraser, tells us more about a recent loan of Head by Henry Moore.