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University of Cambridge

Open: Tuesday–Sunday, 11am–5pm

We are closed on Bank Holiday Mondays.

Please note: On Wednesday 29 July the Garden Kitchen café will be operating a reduced offer due to bereavement. They will be serving drinks and cakes before closing at 1pm. We apologise for any inconvenience.

The Kettle’s Yard house will be closed on Friday 18 September as we prepare for the opening of our next exhibition.

Book Tickets

Open: Tuesday–Sunday, 11am–5pm

We are closed on Bank Holiday Mondays.

Please note: On Wednesday 29 July the Garden Kitchen café will be operating a reduced offer due to bereavement. They will be serving drinks and cakes before closing at 1pm. We apologise for any inconvenience.

The Kettle’s Yard house will be closed on Friday 18 September as we prepare for the opening of our next exhibition.

Oliver Bancroft The Hydra Tree 2004
Exhibition

The world, abridged

5 March – 1 May 2005

Oliver Bancroft, Mark Edwards, Ryan Gander, Sally Osborn, Lucy Skaer

This exhibition of new work by five young artists explored the stories that emerge, accumulate and unravel as we try to make sense of the world around us.

This event has passed.

Tracing paths among the people, places, objects and information that filter into our lives, they weave through layers of association, condensing, editing and generating new connections and meanings between abstract ideas and specific experiences.

Mark Edwards’ rich colour photographs are born out of a prolonged engagement with neglected and overlooked landscapes close to home, while oriental iconography and mass-reproduced images are some of the disparate sources that Lucy Skaer uses to weave visual riddles, rendered in watercolour and pencil on large sheets of paper. Myth and the natural world occupy Oliver Bancroft, who works with images recorded on super-8 and 16mm film to dissect visual and narrative information. Ryan Gander’s work examines the chains of thought triggered by stories and facts, objects and images that we encounter daily. Finally, Sally Osborn takes the collection at Kettle’s Yard as the starting point for a Borgesian exploration that delicately unravels associations and posits new narratives around objects, playing on relationships between materials, place, form and content.