Peter Donohoe, piano
8 May 2025, 8pm (doors open at 7.30pm)
Join us for a Chamber Music concert as we welcome back Peter Donohoe to the Kettle’s Yard house.
Programme
Chopin, 24 Preludes Op.28
Debussy, Estampes
Mendelssohn, Sonata No.1
About Peter Donohoe
Peter Donohoe was born in Manchester in 1953. He studied at Chetham’s School of Music for seven years, graduated in music at Leeds University, and went on to study at the Royal Northern College of Music with Derek Wyndham and then in Paris with Olivier Messiaen and Yvonne Loriod. He is acclaimed as one of the foremost pianists of our time, for his musicianship, stylistic versatility and commanding technique.
In recent seasons Donohoe has appeared with Dresden Philharmonic Orchestra, BBC Philharmonic and Concert Orchestra, Cape Town Philharmonic Orchestra, St Petersburg Philharmonia, RTE National Symphony Orchestra, Belarusian State Symphony Orchestra, and City of Birmingham Symphony Orchestra. He has undertaken a UK tour with the Russian State Philharmonic Orchestra, as well as giving concerts in many South American and European countries, China, Hong Kong, South Korea, Russia, and USA. Other past and future engagements include performances of all three MacMillian piano concertos with the BBC Scottish Symphony Orchestra; a ‘marathon’ recital of Scriabin’s complete piano sonatas at Milton Court; an all-Mozart series at Perth Concert Hall; concertos with the Moscow State Philharmonic Orchestra, St Petersburg Symphony Orchestra and the London Philharmonic Orchestra at Royal Festival Hall; and a residency at the Buxton International Festival. Donohoe is also in high demand as a jury member for international competitions.
Music at Kettle’s Yard
Music has always been an important part of Kettle’s Yard, and concerts have been played here since 1970, when the inaugural concert was given by Jacqueline du Pré accompanied by Daniel Barenboim. Kettle’s Yard creators, Jim and Helen Ede, made the new extension of Kettle’s Yard with music performances in mind and left instructions that there were to be ‘at least three really good concerts every year’.
Today we offer around twenty concerts a year.