
Cultures of Conflict Symposium - Issam Kourbaj: Urgent Archive In Context
17 May, 2–5.45pm
Join us at Kettle’s Yard for an afternoon of talks and discussion exploring the themes of our current exhibition Issam Kourbaj: Urgent Archive in relation to cultural practice, memory and repair.
Related event:
Attendees of Cultures of Conflict are also invited to book a ticket to Cultures of Conflict Concert with Kristýna Farag and Marwan Alsolaiman in the Kettle’s Yard house.
Timetable
Part I: 2–4.30pm
For the first part of the day, a panel of writers, academics and activists will consider the roles that visual art, literature and architecture play in conflict and reconstruction. Following the panel and discussion, there will be an opportunity to see the exhibition.
Part II: 5–5.45pm
Attendees will hear responses to Issam Kourbaj’s work in the galleries.

About the Speakers
Yael Navaro
Yael Navaro is Professor of Social Anthropology at the University of Cambridge. She is from Istanbul, Turkey and has conducted anthropological research in Istanbul and in Cyprus, as well as ongoingly in Antakya. She is the author of Faces of the State: Secularism and Public Life in Turkey (Princeton University Press, 2002) and The Make-Believe Space: Affective Geography in a Postwar Polity (Duke University Press, 2012), both of which have also been published in Turkish translation. She is the co-editor of Reverberations: Violence Across Time and Space (University of Pennsylvania Press, 2021). And she is a co-convenor of the Archives of the Disappeared research network at the University of Cambridge.
Zeina Al Azmeh
Zeina Al Azmeh is a political sociologist at the University of Cambridge where she currently holds the positions of Centenary Research Fellow at Selwyn College, affiliated lecturer at the Department of Sociology and research associate at the Centre for Governance and Human Rights. Her work focuses on the political sociology of knowledge production and the cultural sociology of intellectuals in exile. More specifically, she specialises in the sociologies of knowledge production, migration, and memorialisation, with a focus on forced displacement caused by revolutions and counterrevolutions.
Zeina completed her PhD in Sociology at the University of Cambridge in 2021, where she examined the role of exiled Syrian intellectuals in civil resistance. She is also trained as a musician with a bachelor’s degree in piano performance and a master’s degree in music composition.
Bonnie Greer
Bonnie Greer OBE FRSL is an American-British playwright, novelist, critic and broadcaster. She has lived in the UK since 1986 and has served on the boards of leading arts and cultural organisations including the British Museum, the Royal Opera House and the London Film School. Her memoir A Parallel Life is published by Arcadia Books, and she is a regular contributor to The New European and ByLineTimes. She is currently writing a memoir about James Baldwin.
Ruth Padel
Ruth Padel is an award-winning poet, novelist and non-fiction writer with close links to Greece, India, and wildlife conservation. The poem she wrote for Dark Water Burning World, her collaboration with Issam Kourbaj honouring Syrian refugees to Lesbos in 2015, presented in Venice, Greece, Cambridge, London and New York, is included in her book of poems and prose on migration, We Are All from Somewhere Else (Vintage 2020).
Stefan Tarnowski
Stefan Tarnowski is an Early-Career Research Fellow at Corpus Christi College, Cambridge, and a postdoctoral researcher on the ‘Views of Violence’ project at the University of Copenhagen. He completed his doctorate in October 2022 at Columbia University’s Department of Anthropology, Institute for Comparative Literature and Society, and Center for Comparative Media. He’s working on his book manuscript, provisionally titled Struggling with Images: Revolution, War, and Media in Syria, and editing a book of collected essays on Abounaddara, the anonymous collective of filmmakers.
Wendy Pullan
Wendy Pullan is Professor Emerita of architecture and urban studies at the University of Cambridge, where she was founding director of the Centre for Urban Conflicts Research. Her research explores European and Middle Eastern architecture and cities, examining the processes of urban heritage, conflict, reconstruction and change – both historical and contemporary. Recent publications include: ‘Justice as the Urban Everyday’ (2019), ‘The disingenuous ‘clean-slate’: key concerns for reconstructing Ukraine’ (2024), ‘War by other means: Reconstruction in Syria’ (2024). She is currently writing a book about the nature of urban conflict.
Mezna Qato
Mezna Qato is Margaret Anstee Fellow at Newnham College, and Affiliated Lecturer in the Faculty of History at the University of Cambridge. She is completing a book on the history of education for Palestinians. Her work revolves around three themes: social histories of Palestinians, the politics and practice of archives, and comparative settler colonialism. She co-convenes the Archives of the Disappeared Research Network. She is a founding committee member of
the Librarians and Archivists with Palestine, a member of the board of the AM Qattan Foundation, Friends of Birzeit University, and MAKAN, and a contributing editor of the Jerusalem Quarterly. Her most recent artwork, a scorebook on life in exile, was recently in exhibition at the 16th Venice Architecture Biennale
About the Exhibition
2 March – 26 May 2024
Since 2011 Issam Kourbaj’s artwork has responded to the ongoing conflict in Syria, and reflects on the suffering of his fellow Syrians and the destruction of his cultural heritage. This exhibition presents key works from this period alongside a new series which explores themes of loss, memory and renewal.
The exhibition – the artist’s largest to date – will include installation, sculpture, performance and works on paper. Kourbaj will be present at intervals throughout the exhibition, which will evolve as he adds to the displays.

Access
- The galleries, where exhibitions are shown, and all areas of the Clore Learning Studio (level -1), the Research Space (level 1) and the Ede Room (level 2) are fully accessible.
- We have wheelchair accessible toilets on the lower ground (level -1), ground and first floor (level 1).
- There is a lift giving access to all floors located past the galleries, just beside the Clore Learning Studio on the ground floor.
- Kettle’s Yard welcomes assistance and service dogs in all areas.
- We have large-print versions of the wall text available.
- We can lend visitors small folding seats for taking around exhibitions or using at non-seated events. Please ask a Visitor Assistant for help finding a seat.