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University of Cambridge

Open: Tuesday–Sunday, 11am–5pm

We are closed on Bank Holiday Mondays.

Please note that the Garden Kitchen café at Kettle’s Yard will be closed from Tuesday 21 – Friday 24 April inclusive for essential maintenance.

Kettle’s Yard house will close at 4pm on Friday 24 April with last entry to the house at 2.45pm. Please note the shop at Kettle’s Yard will remain open as usual to 5pm.

Book Tickets

Open: Tuesday–Sunday, 11am–5pm

We are closed on Bank Holiday Mondays.

Please note that the Garden Kitchen café at Kettle’s Yard will be closed from Tuesday 21 – Friday 24 April inclusive for essential maintenance.

Kettle’s Yard house will close at 4pm on Friday 24 April with last entry to the house at 2.45pm. Please note the shop at Kettle’s Yard will remain open as usual to 5pm.

© The Estate of Lucie Rie. Photo: Kettle's Yard

Ceramic

Bowl (brown and white inlaid line), c.1960

Lucie Rie
Porcelain
80 x 200 mm
KY01104.EH
On display

About the artist

Born 1902 – Died 1995

Read the full biography

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Lucie Rie was one of the foremost potters of the 20th century. Though retaining conventional vase and bowl shapes, Rie created a highly expressive and original formal language, influenced by traditions ranging from prehistoric pots to Islamic fritware. Her technique was also innovative, notably for the practice of decorating and glazing pots before once-firing them.

This bowl was decorated with inlaid lines on the outside and sgraffito lines on the inside, a common feature in Rie’s work from the early 1950s. She used a steel needle to scratch lines into the glaze or slip, revealing the colour of the clay beneath. This was a long-winded and risky process, inspired by the Bronze Age pots decorated with lines etched with bird bones, which she first saw at Avebury in Wiltshire.

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