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University of Cambridge

Open: Tuesday–Sunday, 11am–5pm

We are closed on Bank Holiday Mondays.

Please note: On Wednesday 29 July the Garden Kitchen café will be operating a reduced offer due to bereavement. They will be serving drinks and cakes before closing at 1pm. We apologise for any inconvenience.

The Kettle’s Yard house will be closed on Friday 18 September as we prepare for the opening of our next exhibition.

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Open: Tuesday–Sunday, 11am–5pm

We are closed on Bank Holiday Mondays.

Please note: On Wednesday 29 July the Garden Kitchen café will be operating a reduced offer due to bereavement. They will be serving drinks and cakes before closing at 1pm. We apologise for any inconvenience.

The Kettle’s Yard house will be closed on Friday 18 September as we prepare for the opening of our next exhibition.

Photo: © Kettle's Yard

Sculpture

Birds Erect, 1914 (posthumous cast, undated)

Henri Gaudier-Brzeska
Stone cast
670 x 300 x 260 mm
KY00985.EH
On display

About the artist

Born 1891 – Died 1915

Henri Gaudier was born in Saint-Jean-de-Braye, near Orléans, in France. He first came to Britain in 1908.

Read the full biography

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This is Gaudier-Brzeska’s last large-scale sculpture, completed just before he left England to join the French army. It is also his most abstract work; without the aid of the title, it would be difficult to recognise the subject. Gaudier was influenced by contemporary Cubist sculptors, in particular Archipenko and Lipchitz. Unlike painting, which aimed at condensing different perspectives into a single image, Cubist sculpture was concerned primarily with abstracted and boldly geometrical forms.

Despite the solidity and weight of Birds Erect, there is a strong sense of upward movement, suggested by the long rectangular shapes which create a vertical pull. Jim described it as having ‘the vertiginous feeling of birds nested on a cliff’s edge’.