Tom Noblett

Tom graduated with a degree in English literature but found his true calling working with artists and curators on the logistics of exhibition installation. He has been involved with Kettle’s Yard since 2011 in different capacities, and currently splits his time between working in the gallery, as a freelance art technician and doing artist studio work in London and Cambridge.

Highlights at Kettle’s Yard for Tom include attaching eighty miniature microphones to knitting needles for Oreet Ashery’s performance Passing Through Metal, and working on a joint Kettle’s Yard and Museum of Cambridge project involving a fully immersive light and sound exhibition of the ceramicist Jesse Wine.